International Nouveau Flamenco ensemble Luna Blanca is now leading the way to worldwide prominence by their festive new release entitled El Dorado. The vibrant forerunner to Luna Blanca’s new album was their celebrated flagship album Provence, which in retrospect is, one of the best Nouveau Flamenco releases from coast to coast. Luna Blanca has ascended to the highest summit as a group, nearing the verge of perfection with their elite signature song melodies that have carried them to international acclaim on every continent.

This time around Luna Blanca intensifies their musical fortitude by moving Nouveau Flamenco music to new elevations, where no artists before them have reached. The highest latitude of earlier success may be due in part to a precise focus on producing energetic song melodies. Created with true passion, it’s only natural Luna Blanca’s vibrant flamenco music appeals to a broad multicultural audience.

The Germany based band Luna Blanca, who regularly perform live concerts, have reached international prestige over the past decade and duly earned their reputation as one of the most popular Nouveau Flamenco music ensembles worldwide. The cosmopolitan sound qualities heard in El Dorado express the diverse ethnicity of Nouveau Flamenco with classic sophistication and grace, yet the sunny casual atmosphere is the greatest defining characteristic of Luna Blanca. El Dorado is a remarkable new flamenco album by the straightforward presentation of Luna Blanca, and the inherent qualities of artisanship that first began their rise to popularity. It is clear to me that Luna Blanca has their fingers placed on the pulse of today’s popular Nouveau Flamenco music style.
Masterful in this new flamenco music release, founding band member and guitarist Richard Hecks, and co-composing pianist Helmut Graebe, select world-class musicians like brilliant rhythm guitarist Bino Dola, and Clemens Paskert, a dazzling performer on bass guitar, percussion and second part keyboards.

Luna Blanca clearly has a new reason to celebrate in 2012 with the release of their new El Dorado album. When taking into consideration the Top 10 radio chart success, glowing reviews and accolades given to Provence the past year, it’s as if their time for festive celebration is never ending with each passing year.

Luna Blanca has produced an exhilarating new wave of excitement with this new project in 2012 which nearly guarantees El Dorado will be one of the best and most talked about Nouveau Flamenco music albums during the year 2012 and beyond. I can picture another year of honors and tributes, again with all glasses raised in a goodwill toast to Luna Blanca. Cheers!

by John P. Olsen, Host of NewAgeMusicWorld


 

Musique du Soleil - Luna Blanca, the newest wizards of Nuevo Flamenco

Provence is the background score for an idyllic life along the Blue Coast of southeastern France, a place of endless Mediterranean waves, never-ending sunny days and a unique spirit of bonhomie found in very few places on earth. France is, of course, steeped in rich history, but Provence has Nice, Toulon, Marseilles, and Aix-En-Provence. Every city has a story to tell. There is adventure and drama around every corner and romance in the eyes and hearts of everyone you meet. Luna Blanca, the newest wizards of Nuevo Flamenco have put that enduring spirit into 12 tracks of laid back music with a casual aire.

For over a decade Luna Blanca has been primarily powered by the acoustic guitar of founder Richard Hecks and the piano of Helmut Graebe. Several additional musicians are added to the roster as needed whether for studio work or live concerts. Hecks began his vocation in classical music, but after being exposed to the music of Ottmar Liebert, his fate was sealed and Nuevo Flamenco became his inspiration. Graebe began his musical career on bass, but his piano stylings got him a start with the band. Joining the Flamenco duo on the recording are Bino Dola on guitar, Clemens Paskert on bass, and Uwe Gronau on the fabulous Hammond organ.

Start at Aubagne, get on the A50 and head east. It does not take long for the magic to come about as you travel the roads of Provence. "Driving", the opening tune to the album sets the course for adventure and fun. Great guitar stirs up the dust, get the blood flowing and makes promises that the days will be cheerful and light. And just think, Italy is just up the road.

There is a warm, prevalent wind that blows starting from the northeast of France all the way down to Toulon. It is called the mistral and when the wind blows, anything can happen. Luna Blanca's tune "Mistral" is a caper of friendly faces, jaunty attitudes and sunny skies. With the strong lead of Hammond organ, the tune is reminiscent of Hang 'em High, a very popular 60's song by Hugo Montenegro.

All I know about "Cote d'Azur" or the French Riviera I learned watching James Bond movies. From Menton to Cassis, it is the road most traveled on land and by sea it is the favorite docking port of any yacht longer than fifty feet. The crashing of ocean waves and sultry Spanish guitar opens the song and the book of romance. Cote d'Azur is a melting pot of many nationalities that have come from the far corners of the globe to imbibe is the wines, bake in the sun and to find the special someone that the stars has been guiding there all along.

The Cafe. It is the heart of the town. It is the meeting place for business, for friends and for lovers. The guitar sings, the dancers click on hardwood and the air is festive. There is the sound of constant laughter, the clinking of wine-filled glasses and the tapping of toes or fingers. But there is an underlying mood. There is the rage of a jealous lover, the deceit of a vengeful business partner and the subterfuge of deep, dark eyes and ruby red lips. In the tune "Cafe", the heart beats, the wine flows and the music lights the fires.

With all the levity and liveliness on the album, it was finally time to come back to earth and the tune "Gipsy" seemed to do that in a most melancholy way. Perhaps, it is more subdued than it is sad. The slower tempo and quiet chords changed the mood considerably, but we are none the worse. Maybe it is there to reveal one of the many facets of life on the Blue Coast and that we must take the good with the bad, the serious with the somber.

The album and the day close with the tune "Sunset". The sky takes on the colors of pale jewels as only it can on the coast. Amethyst and emerald skies mix with the gold as the day greets the night. Suddenly, the stars wink on and the night transforms the mood into one of quiet bliss. The night cools the skin, but not the heart and the music makes such wonderful and unpredictable promises.

This wonderful album puts Luna Blanca into the same school as Johannes Linstead, Ottmar Liebert and Benise. Their solar powered attitudes and love of music makes the album completely enjoyable over many genres. If anyone ever said, "Put on some lively music, please", this would be the album. Turn it up and enjoy.

"Rating: Very Good"

by RJ Lannan, ZoneMusicReporter